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zamus: early music festival // Beyond the Score // Symposium
Evidence on Performance Practice from Extra-Musical Sources
Dienstag, 23. Mai 2023
10:00
Ort: UzK Musiksaal
Pause: Nein
Eintritt: Eintritt frei
Tickets kaufen
The connection between historical musicological research and performance practice was always at the center of Historically Informed performance practice. In our symposiums research day we will examine the input and importance of extra musical sources such as Early Recordings, Mechanical Organ clocks, Theater staging instructions and what we can learn and implement from these sources in regard of historical performance practice today.
This is the second part of a research day that took place in and in collaboration with the Royal Conservatory of Brussels.
This is the second part of a research day that took place in and in collaboration with the Royal Conservatory of Brussels.
Programm
10:00 – 10:05
Welcome and Introduction
Ira Givol – zamus
Prof. Dr. Frank Hentschel – Universität zu Köln
10:05 – 10:50
Toward a ‘blessedly enlightened’
Reconstruction of the Instrumentation of Alessandro Striggio’s 40-part Motet Ecce lucem beatam, as performed at the Munich Court in 1568
Prof. Peter van Heyghen – Royal Conservatory Brussels
10:50 – 11:35
In the wake of the Euridice-experiment: staging Italian opera in the early 17th century
Sigrid T’Hooft – Orpheus Institut Gent
Short Break
11:55 – 12:40
What can hardly be found in the authorities' treatises - some aspects of performance practice
Prof. Dr. Helmut Kowar – Österreichische Akademie der Wissenschaften
Break
13:30 – 14:15
‘Early Recordings Informed Performance’ – Historical Embodiment and the Future of Early Music
Prof. Dr. Kai Köpp – Hochschule der Künste Bern
14:15 – 15:00
Panel discussion
Prof. Dr. Frank Hentschel
Moderation and Chair
Welcome and Introduction
Ira Givol – zamus
Prof. Dr. Frank Hentschel – Universität zu Köln
10:05 – 10:50
Toward a ‘blessedly enlightened’
Reconstruction of the Instrumentation of Alessandro Striggio’s 40-part Motet Ecce lucem beatam, as performed at the Munich Court in 1568
Prof. Peter van Heyghen – Royal Conservatory Brussels
10:50 – 11:35
In the wake of the Euridice-experiment: staging Italian opera in the early 17th century
Sigrid T’Hooft – Orpheus Institut Gent
Short Break
11:55 – 12:40
What can hardly be found in the authorities' treatises - some aspects of performance practice
Prof. Dr. Helmut Kowar – Österreichische Akademie der Wissenschaften
Break
13:30 – 14:15
‘Early Recordings Informed Performance’ – Historical Embodiment and the Future of Early Music
Prof. Dr. Kai Köpp – Hochschule der Künste Bern
14:15 – 15:00
Panel discussion
Prof. Dr. Frank Hentschel
Moderation and Chair
Besetzung
Ira Givol - zamus
Prof. Dr. Frank Hentschel – Universität zu Köln
Prof. Peter van Heyghen – Royal Conservatory Brussels
Sigrid T’Hooft – Orpheus Institut Gent
Prof. Dr. Helmut Kowar – Österreichische Akademie der Wissenschaften
Prof. Dr. Kai Köpp – Hochschule der Künste Bern
Prof. Dr. Frank Hentschel – Universität zu Köln
Prof. Peter van Heyghen – Royal Conservatory Brussels
Sigrid T’Hooft – Orpheus Institut Gent
Prof. Dr. Helmut Kowar – Österreichische Akademie der Wissenschaften
Prof. Dr. Kai Köpp – Hochschule der Künste Bern
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